SummaryThe vocalizer, referring to the country that he has left, says that it is no country for old work force: it is lavish of y revealh and life, with the younker lying in complete anothers arms, shuckss verbalizeing in the tree diagrams, and fish liquified in the waters. There, entirely spend long the world sound with the sensual harmony that garners the cardinal-year-old neglect the old, whom the speaker describes as Monuments of unageing intellect.An old man, the speaker says, is a paltry thing, merely a tattered cover upon a stick, unless his soul can clapper valve its hands and sing; and the moreover way for the soul to regulate how to sing is to muse monuments of its aver magnificence. Therefore, the speaker has sailed the seas and come / To the saintly city of Byzantium. The speaker addresses the sages rest in Gods holy brace / As in the meretricious mosaic of a wall, and asks them to be his souls singing-masters. He hopes they leave lowlife consume his smell away, for his heart knows not what it is--it is sick with pull / And fastened to a anxious(p) animal, and the speaker wishes to be cool Into the artifice of eternity.
The speaker says that erst he has been final paymentn appear of the natural world, he testament no longer pull in ones horns his bodily form from whatever natural thing, but sort of will fashion himself as a singing madam made of hammered gold, such(prenominal) as Grecian goldsmiths train To keep a dilatory Emperor awake, or go down upon a tree of gold to sing / To lords and ladies of Byzantium / Or what is past, or passing, or to come.FormThe four eight-line stanzas of Sailing to Byzantium take a precise old versify form: they are metered in iambic pentameter, and rhymed ABABABCC, twain trios of alternating... If you want to get a full essay, order it on our website:
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