Aesthetics Of Aging Essay -- Age Aging Visual

An Aesthetics Of AgingRecall, lecturer if perpetually in the mountains a mist hascaught you, through which you could not retrieve debaras moles do through skin Dante, Comedy1ARGUMENT THE consume FROM THE visible EGOMany recent studies on optical acculturation set off the representation of the embody inphotography as a phase of social constructions. picture taking however has always played an all-important(prenominal) government agency in the construction of the subject, a perspective that I educe in what follows,one that combines analytical concepts with aspects of the phenomenology of perception,indispensable for the understanding of device flora and of our likeness to them.By contrast with the overexposure of the body in commercial photography,photographers in the art field today represent the body as a visual metaphor for configurationsof interiority engaged in subject construction. Their insistence on testicle aspects (ofcomposition and technique) displaces the f ocus from the physical to the psychic body so as tocapture unstable phenomena of change, of conflict in the subjects semblance to time. In JoyceTennesons photographs ordinary referents are obliterated to discharge stead for other dimensions* This paper is an abridged and adapted version of a chapter in an unpublished manuscriptdevoted to photography, aging, and subject construction, entitled trace SurfacesPhotography and the Fabric of the Subject, in Time1 This Dante fragment climax from Charles Singletons prose version of the Comedyseems to me evocative of the misty visual depression in Tennesons photographs, and also of herplacing the lens of the camera much alike(p) a mole through the skin, to look at the human bodyfrom an interstice, as it were, between the inside... ... Collectors Photography Magazine. June, 1987.FREUD, Sigmund. The ego and the Id. The sample translation London Hogarth insistence & TheInstitute od Psychoanalysis, 1953-1974, vol. XIX.GLISSANT, Edouar d. Potique de la relation. Potique III. capital of France Gallimard, 1990.GOLDBERG, Vicki. Unwritten Myths. Preface to Transformations.MERRILL, crowd. Divine Poem, in Recitative. Prose by James Merrill. San FranciscoNorth Point Press, 1986.RICHIR, Marc. Le Corps. Essai sur lintriorit. Paris Hatier, 1993.WINNICOTT, D.W. Ego Distortion in Terms of True and False Self, (1960). Thematurational attend and Facilitating Environment Studies in the Theory of EmotionalDevelopment. London Hogarth Press & The Insititute of Psychoanalysis, 1965.WOLLHEIM, Richard. The bodied Ego, The Mind and Its Depths. Cambridge, Mass.Harvard Univeristy Press, 1993.1011 Aesthetics Of Aging experiment -- Age Aging VisualAn Aesthetics Of AgingRecall, reader if ever in the mountains a mist hascaught you, through which you could not see exceptas moles do through skin Dante, Comedy1ARGUMENT THE RELEASE FROM THE BODILY EGOMany recent studies on visual culture highlight the representation of the b ody inphotography as a signifier of social constructions. Photography however has always played animportant part in the construction of the subject, a perspective that I suggest in what follows,one that combines analytical concepts with aspects of the phenomenology of perception,indispensable for the understanding of art works and of our relation to them.By contrast with the overexposure of the body in commercial photography,photographers in the art field today represent the body as a visual metaphor for configurationsof interiority engaged in subject construction. Their insistence on formal aspects (ofcomposition and technique) displaces the focus from the physical to the psychic body so as tocapture unstable phenomena of change, of conflict in the subjects relation to time. In JoyceTennesons photographs ordinary referents are obliterated to liberate space for other dimensions* This paper is an abridged and adapted version of a chapter in an unpublished manuscriptdevoted to photogr aphy, aging, and subject construction, entitled Touching SurfacesPhotography and the Fabric of the Subject, in Time1 This Dante fragment coming from Charles Singletons prose version of the Comedyseems to me evocative of the misty visual effect in Tennesons photographs, and also of herplacing the lens of the camera much like a mole through the skin, to look at the human bodyfrom an interstice, as it were, between the inside... ... Collectors Photography Magazine. June, 1987.FREUD, Sigmund. The Ego and the Id. The Standard Edition London Hogarth Press & TheInstitute od Psychoanalysis, 1953-1974, vol. XIX.GLISSANT, Edouard. Potique de la relation. Potique III. Paris Gallimard, 1990.GOLDBERG, Vicki. Unwritten Myths. Preface to Transformations.MERRILL, James. Divine Poem, in Recitative. Prose by James Merrill. San FranciscoNorth Point Press, 1986.RICHIR, Marc. Le Corps. Essai sur lintriorit. Paris Hatier, 1993.WINNICOTT, D.W. Ego Distortion in Terms of True and False Self, (1960). The Maturational Process and Facilitating Environment Studies in the Theory of EmotionalDevelopment. London Hogarth Press & The Insititute of Psychoanalysis, 1965.WOLLHEIM, Richard. The Bodily Ego, The Mind and Its Depths. Cambridge, Mass.Harvard Univeristy Press, 1993.1011